Note: This is all older review of mine (pre-blog) and reading it back I think I must have had a bad week or been really hyped up on sugar or something because I’m sure I don’t always sound this judgmental (I hope?).
That took way longer than it should have.
My overall feeling on the book is meh although once I start getting into the good and bad points it will sound like I hated it, I didn’t hate it or even dislike it, it was just meh.
The book came to me with a sticker on it claiming ‘If you liked Throne of Glass you’ll love this’ or something to that effect. Throne of Glass is actually a series I really liked (mainly because of Rowan, no shame), though the first book Throne of Glass was not my favourite of the lot I thought hey, maybe this book will be pretty good if it has been likened to it, but then again how many books are ‘the next Harry Potter’. To sum up, the only way it’s like Throne of Glass is that the main character is female and shares some characteristics with Calaena depending where you’re at in the Throne of Glass series.
Queue biting sarcasm. The story starts with you (the reader) finding out that Megan (our fearless heroine) has gotten pregnant at 16 by her twin sisters boyfriend’s brother basically just because he was there plus mild (not that mild) peer pressure from her sister and that old nugget about ‘it can’t happen your first time’, before her village is promptly burned to the ground by soldiers who are men but also witches because reasons and her family slaughtered or missing.
She escapes due to her brilliant prowess and skill at hiding in wheat fields and finding underwater caves (which is an actual skill since she knew about it from a story her grandfather told her during childhood and not from anything like a map or history or a plausible story on how her grandfather supposedly found it originally and conveniently packed full treasure and money and a sword of unknown origin, waiting to be found by the first desperate, bereaved, pregnant
child 16 year old brave enough to swim under a waterfall and find it). She then goes on a well thought out and completely realistic mission to save her sister from the witches with the help of a middle-aged exiled countess who shows up right after all the carnage with a bow which is not at all suspicious to Megan even though at this point, just a few chapters into the book, she has already come to the YA-trademark conclusion that all this is about her.
Things I didn’t like:
Essentially no world building, and what we do get comes in fits and starts and is jumpy, you’re really thrown in at the deep end of this not all that elegant world which is okay for some books if they’re well written enough to integrate it throughout the novel afterwards or one of the many other ways you can world build in a novel that don’t actually require amazing writing that YA novels use all the time because *begins to protect head from books being thrown* it’s not exactly a genre renowned for authors that are actually great writers. (I’ll add in here that I hate the idea behind the genre YA but it’s so mainstream at the moment there’s no way to avoid mentioning it as a group). However, one thing YA authors are great at (Maas and Cassandra Clare being key examples) is creating characters the reader loves so much they are blind to any poor writing until some cruel person points it out to them. Unfortunately, none of the characters did this for me they, like the book were all sort of meh, with the exception of one. We sort of find out why the ‘witches’ are just soldiers throwing their weight around but they insist on still referring to them as witches for no reason at all.
It bothers me that the writing level is aimed at a YA audience which is generally at 12-18 age range (depending who you talk to) and the main character is
definitely kind of pressured into sex but little time is given to it and she doesn’t seem that bothered or affected by the fact except for her minor qualms about society’s view on her illegitimate child? It just seems like a bad message and easily led person shouldn’t hear.
Megan is a pathetic excuse for a heroine, she can’t do much at the beginning of the novel but she throws a lot of empty threats around like ‘God help anyone who stands against me’ and the like even though she’s a defenseless 16-year-old pregnant girl with one friend she’s known for five minutes. I’m also amazed she didn’t miscarry based on the events of the first 5 chapters alone let alone the rest of the book, can you even ride a horse whilst pregnant?
Though by far the best character in the book, I don’t think the author knew what to do with Damon. Clearly, a love interest is on the horizon because it’s on the YA non-negotiable checklist but I had no idea where that crazy train was going.
It’s a petty complaint but the cover looked cheap and that is a big-ish deal to me, I like my books to look pretty on my shelf after I finish them.
Totally saw the ‘big reveal’ coming, only pity was that there was no ‘I’m the bad guy and here’s my soliloquy on why I’m evil and what my master plan is’ moment and that’s the best part of that cliche plot line.
The things I liked list is much shorter. I liked that Megan was not given auto-super powers even though she is still a little dim, the book is thankfully quite short with a large font, the prophecy is nice and easy to interpret unlike others I’ve read and Damon. Though he was far from a perfect character he was the best one and he was quite funny, I don’t think he was given nearly enough credit and he as a character was wasted on his arc. I don’t get what Meehan’s trying to achieve with his cloak and dagger riddled love life.
Overall, meh. Probably won’t read the rest of the series.